Made In Paris - Bobby Byrne And His Orchestra - 1966 Magnificent Movie Themes
Label: Command - RS 894 SD • Format: Vinyl LP, Album Gatefold • Country: US • Genre: Stage & Screen •
The film was written by Stanley Roberts and directed by Boris Sagal. Made In Paris - Bobby Byrne And His Orchestra - 1966 Magnificent Movie Themes was the last screen credit for veteran MGM musical director Georgie Stoll before his retirement. A redheaded American girl from New York finds herself in a love triangle in Paris. After taking her on a date, he finds that her morals are different from the multitude of his previous women.
Irene sends Maggie to Paris as her representative for the annual fashion shows of the major European fashion designers, such as Marc Fontaine, Dior, and Balenciaga. The most important show is Marc Fontaine Louis Jourdan because Barclay Ames is the only store in New York that handles Fontaine gowns, and Maggie must keep that rapport between the two companies on her trip.
Marc Fontaine, the handsome French designer, had a relationship with Irene. Herb Stone completes the love triangle by pursuing Maggie as well. He would rather settle down in the bedroom. MGM announced the film was part of their line up in February Bob Cranewho had just shot the pilot for Hogan's Heroeswas offered the male lead, as a newspaperman. Richard Chamerblain was offered the role of the department store buyer but he dropped out after he read the script. Louis Jourdan signed to play the male lead.
There was a report he pulled out when he discovered his character did not get the girl in the end. Edie Adams wears a form-fitting, black-velvet, beaded gown that flares out at the knee with a satin skirt covered in coque feathers.
Her matching cape is made of black-crepe chiffon featuring beading and three rows of coque feathers 13 min. The Fontaine fashion show starts at 42 minutes into the movie featuring Helen Rose designs.
Jazz music plays in the background for most of the film. Maggie Scott Ann-Margret performs a dance to a band in a Paris night club 55 minutes and 47 seconds into the film. MGM was so impressed with Crenna's performance, it signed him to a three-picture deal. The Los Angeles Times wrote that the film "was just not in the game class as Gigi " although Komm Zu Mir - Die Dickmann´s* - Ab In Die Wanne "gave her all.
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