Label: Apple Records - TYCP-60014 • Format: CD Album, Remastered • Country: Japan • Genre: Rock, Pop • Style: Pop Rock
John Manifoldin his Penguin Australian Song Bookdescribed it as "A foc'sle song of Liverpool origin apparently, but immensely popular among Maggie Mae - The Beatles - Let It Be all over the world". Inthe composer and lyricist Lionel Bart the creator of the musical Oliver!
The show, also called Maggie Mayran for two years in London. Ina truncated version of the song performed by the Beatles was included on their album Let It Be. As with most folk songs, the lyrics exist in many variant forms. The song specifies several real streets in Liverpool, notably Lime Street in the centre of the city. Oh dirty Maggie Mae they have taken her away And she never walk down Lime Street any more Oh the judge he guilty found her For robbing a homeward bounder That dirty no good robbin' Maggie Mae To the port of Liverpool They returned me to Two pounds ten a week, that was my pay.
In the most established version, it is sung in the first person by a sailor who has come home to Liverpool from Sierra Leone. He is paid off for the trip. With his wages in his pocket, he sees Maggie "cruising up and down old Canning Place". She had "a figure so divine" either "like a frigate of the line " or with "a voice so refined". He picks her up and she takes him home to her lodgings. When he awakes the following morning, she has taken all his money and even his clothes, insisting that they are in "Kelly's locker", a pawn shop.
When he fails to find his clothes in the pawn shop, he contacts the police. She is found guilty of theft and sentenced to transportation to Botany Bay. While the most famous version of the chorus contains the line "she'll never walk down Lime Street any more", Stan Hugill in his Shanties from the Seven Seas writes that in different versions several streets are named, referring to different historical red light areas of Liverpool, including Paradise StreetPeter Street and Park Lane. British sea music historian Stan Hugill writes of an early reference to the song in the diary of Charles Picknell, Maggie Mae - The Beatles - Let It Be sailor on the female-convict ship Kains that sailed to Van Diemen's Land in This indicates that versions of the song date back to the (A Song) For T.W.
Enty - TerraHertz - First Smoke period of penal transportation mentioned in the lyrics as Maggie's fate. In the earliest known version, the protagonist is "charming Nellie Ray", who may have been a real transported prostitute and thief. The historical relation of the song to the American slave song " Darling Nellie Gray " published as the work of Benjamin Hanby is unclear.
The tune is very similar and the chorus of Hanby's song contains the lines "Oh, my darling Nellie Gray, they have taken you away, I'll never see my darling anymore. In this period Lime Street was established as her favoured haunt. Lloyd recorded King Of Eternity`s Realm - Supreme Majesty - Divine Enigma in on the album English Drinking Songsdescribing it in the liner notes as "last fling of sailor balladry.
It is a song that has found its way into every ship but none of the songbooks. The Lionel Bart version in the musical uses the traditional tune, but changes the lyrics somewhat. It is sung in the third person and Maggie is transformed into a heroine whose departure from the streets is lamented "some rotten Homeward Bounder 慶應賛歌 - Various - 慶應歌集 - 若き血 got his grip around her".
This version was performed by Kenneth Haigh in the original cast recording of the musical. A brief Maggie Mae - The Beatles - Let It Be was performed by the Beatles in a joking manner during their Get Back sessions, in earlyat a point in the proceedings when they Maggie Mae - The Beatles - Let It Be warming up in the studio by playing old rock and roll and skiffle songs that they had known and played in their teenage years.
They adopt heavy scouse accents for the performance. Though the performance was obviously tongue-in-cheek, a truncated version of it was included on the album drawn from those sessions, Let It Beappearing as the last track on the LP's first side, immediately after the title song. The version they performed was spelled "Maggie Mae" on the track listing and all four Beatles were credited as arrangers of the traditional song, thus allowing them to collect the writers' share of the publishing income for this public domain song.
At 39 seconds long, it is the second-shortest song released on an official Beatles album the shortest being " Her Majesty ", at 23 seconds. It was also the first song recorded by the group, not originally written by any member, to appear on an album since " Act Naturally " was recorded in June, as the last recorded song for the group's album Help!
Naked album. Let It Be Naked did include "Maggie Mae" on the bonus disc, "Fly on the Wall" at 17 minutes and 30 seconds.
The song had been a staple of the repertoire of the Quarrymenthe skiffle group formed by Lennon that evolved into the Beatles in Lennon was still making home recordings of the song shortly before his death in These instances demonstrate an important personal connection to the song for Lennon and may have contributed to the snippet being included on the album Let It Be.
Maggie Mae - The Beatles - Let It Be song appears Maggie Mae - The Beatles - Let It Be in the biopic Nowhere Boy. First, it is played for a teenage John Lennon by his mother, Julia, and he then learns to play it himself, both on the four-string banjo. Later in the film the song is shown as the first one played by Lennon's band The Quarrymenthough this was not in fact their first public appearance.
From Wikipedia, the free encyclopedia. Redirected from Maggie Mae. For other usage, see Maggie May disambiguation. For the Rod Stewart song, see Maggie May. Lime Street in the s, with St. The Beatles: The Biography. Little, Brown and Company New York. Retrieved 24 April London: Pimlico Rand. The Wall Street Journal. Let It Be. Naked The Beatles discography. Rubber Soul Revolver Sgt.
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