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Ensemble Syntagma Musicum* - Music of the Middle Ages & Renaissance (Vol II, 15th - 17th Centuries)

Published 18.01.2020 by Moogurr


1971
Label: The Record Society - S/6380,World Record Club - S/6380,The Record Society - S-6380,World Record Club - S-6380 • Format: Vinyl LP, Album, Club Edition, Stereo • Country: Australia • Genre: Classical •
Download Ensemble Syntagma Musicum* - Music of the Middle Ages & Renaissance (Vol II, 15th - 17th Centuries)

This discography is presently in a preliminary state. It is believed to contain a substantial percentage of an eventual full listing, but has not been scoured for completeness or organized into sections based on individual works.

It should prove informative nonetheless. Discographic material below has been collected to this stage with substantial help from Pierre-F. John Dunstaple c. Dunstaple's persona took on such a mythological character among later authors Ensemble Syntagma Musicum* - Music of the Middle Ages & Renaissance (Vol II it is this awe which is most discernible today, rather than any underlying facts.

Indeed, few details of his life are known, and much of his most significant music is not securely attributed. Based on comments from Tinctoris and other contemporary authors, Dunstaple was mistakenly believed by later Renaissance writers to have invented counterpoint! Although these fanciful aspects of his reputation can be received with some humor today, Dunstaple was certainly one of the leading English composers of his day, and one of those principally responsible for inspiring the integration of the "English Countenance" style into pan-European contrapuntal technique.

That style is based on a relative abundance of thirds, or what we might call sonorities anticipating major tonality, in the descant writing then current in England. Dunstaple may have traveled to Burgundy beforeand came to be identified with the adoption of thirds-based harmonies Ensemble Syntagma Musicum* - Music of the Middle Ages & Renaissance (Vol II the Continent.

Today it is difficult to separate his Hanging Gardens Of Reigate - Various - London Pavilion Volume Two from such contemporaries as Lionel Power c.

Besides these early cantus firmus works, a form in which he certainly wrote at least some smaller-scale settings, Dunstaple wrote isorhythmic motets as well as many more modest antiphons based on the descant style.

The bulk of his music is in three parts, while most of the isorhythmic motets are in four. Dunstaple left at least 52 attributed works, although there continues to My Web - Maxim - My Web confusion between his work and that of Power and others. Although it is believed that Dunstaple wrote secular music, no music using vernacular texts is securely attributed. The popular song O rosa bellaonce thought to be by Dunstaple and so included in this discographyis now securely attributed to John Bedyngham d.

Dunstaple's reputation as a mathematician and astronomer we might say astrologer today added to his contemporary stature. His work in these fields is regarded as competent, but not original, such that among the disciplines of the quadrivium, it was music which was his real creative outlet.

Carus Columbia U. D [78 r. Power Biggs. The Forbury Consort - Alan Crumpler, dir. The Holbein Consort - Martin Pope, dir. Versand Helga Weber Jahrhunderts Instrumentalkreis Helga Weber. Barbour and F. Naxos 8. Brown, dir. Morgan, dir. Supraphon [LP] Title unknown Performers unknown. Teldec Das Alte Werk 6. Teldec Telefunken "Das Alte Werk" 6. Telefunken AWT [45 r. Victor [78 r.

Various Ensemble.


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8 Comments

  1. Zolozuru   Zolocage 20.01.2020
    Syntagma Musicum Ensemble* ‎– Music Of The Middle Ages And The Renaissance (Vol. 1 13thth Centuries) Label: The Record Society ‎– S/, The Record Society ‎– S, World Record Club ‎– S/, World Record Club ‎– S
  2. Fausar   Fenritaur 18.01.2020
    John Dunstaple (c) - A discography. This discography is presently in a preliminary state. It is believed to contain a substantial percentage of an eventual full listing, but has not been scoured for completeness or organized into sections based on individual works.
  3. JoJobei   Kajilmaran 21.01.2020
    Ensemble Syntagma Musicum* Music of the Middle Ages & Renaissance (Vol II, 15th - 17th Centuries) ‎ (LP, Album, Club, RE) The Record Society, World Record Club, The Record Society, World Record Club: R, S/ Australia: Sell This Version.
  4. Gok   Zolokinos 24.01.2020
    Music History Exam 2 - WMU. STUDY. PLAY. Formes Fixes. Schemes of poetic and musical repetition, each featuring a refrain, used in late medieval and 15th century french chansons; in particular, the ballade, rondeau, and virelai English style of IMPROVISED POLYPHONY from the late Middle Ages and RENAISSANCE, in which a CHANT in the middle.
  5. Tygorg   Dozshura 19.01.2020
    Syntagma Musicum Ensemble* ‎– Music Of The Middle Ages And The Renaissance (Vol. 1 13thth Centuries) Label: The Record Society ‎– R, The Record Society ‎– S/, World Record Club ‎– S/, World Record Club ‎– R/4(1).
  6. Yolmaran   Brashicage 21.01.2020
    Jul 17,  · Check out Music of the Middle Ages, Vol 6: English Polyphony of the 14th & Early 15th Centuries by Russell Oberlin/Various on Amazon Music. Stream ad-free or purchase CD's and MP3s now on fejoraakinokusnigelv.infoinfo(2).
  7. Mazugore   Kazijora 20.01.2020
    May 03,  · Dutch ensemble, founded in to provide authentic performances of religious and secular music from the Middle Ages and Renaissance. The musical director of Syntagma Musicum was Kees Otten ( - ). The ensemble was named after the treatise on Renaissance music by Michael Praetorius.
  8. Zujas   Mazil 25.01.2020
    A type of instrumental music of the 16th and 17th centuries that developed from the Netherlandish chanson. Term was frequently used in Italy after and has become standard in England and not infrequent in Germany.

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